STOLEN DANCES – Sara Trickey, violin | Daniel Tong, piano

£12.00 + P&P

This album is inspired by the fantastic physicality and variety of dance forms in which composers from Granados to Shostakovich excelled. There are some hidden gems as well as pieces that will be familiar to all – and they have the novelty, as transcriptions, of all having been ‘stolen’ from the original. These arrangements are creative, fun and often virtuosic.

Released 10 October 2025
FHR182 Categories: ,

Description

Released on a limited edition DigiSleeve CD and on all digital platforms: 10 October 2025

STOLEN DANCES
Sara Trickey
violin
Daniel Tong piano

Maurice RAVEL (1875–1937)
1. Pièce en forme de habanera, M.51 (1907) (arr. Georges Catherine)

Camille SAINT-SAËNS (1835–1821)
2. Danse macabre, Op. 40 (1874) (arr. Camille Saint-Saëns, 1877)

Isaac ALBÉNIZ (1860–1909)
3. España, Op. 165: No. 2. Tango (1889–90) (arr. Fritz Kreisler, pub. 1927)

Franz von VECSEY (1893–1935)
4. Valse triste (1913)

Dmitri SHOSTAKOVICH (1906–1975)
5–7. Three Fantastic Dances, Op. 5 (1922) (arr. Harry Glickman, pub. 1945)

Béla BARTÓK (1881–1945)
8–13. Romanian Folk Dances, Sz.56, BB68 (1915) (arr. and adapt. Zoltán Székely, 1925)

Edvard GRIEG (1843–1907)
14. Peer Gynt Suite No. 1, Op. 46: III. Anitra’s Dance (1874–75) (arr. Hans Sitt)

Enrique GRANADOS (1867–1916)
15. 12 Danzas españolas: No. 5. Andaluza (c. 1888–90) (arr. Fritz Kreisler, pub. 1915)

Johannes BRAHMS (1833–1897)
21 Hungarian Dances, WoO 1 (1879) (arr. Paul Klengel, pub. 1925)
16. No. 2. Allegro non assai
17. No. 7. Allegretto

Antonín DVORÁK (1841–1904)
18. Slavonic Dances, Op. 72: No. 2 in E minor – Andante grazioso quasi Allegretto (1886) (arr. Fritz Kreisler, pub. 1914)

Pyotr TCHAIKOVSKY (1840–1893)
19. Serenade in C major, Op. 48: II. Waltz (1880) (arr. Leopold Auer, pub. c. 1901)

David MATTHEWS (b. 1943)
20. It takes two, Op. 51f (2006) * (arr. David Matthews of Tango from Symphony No. 4, Op. 51)

Gabriel FAURÉ (1845–1924)
21. Sicilienne, Op. 78 (1893) (arr. Roy Howat, pub. 1994)

Recorded at the Concert Hall, Trinity School, Croydon, UK, 8, 19–20 July, 2024
Recorded and produced by John Croft (Chiaro Audio)
24bit, 96kHz high resolution recording, editing and mastering
A surround sound mix with Dolby Atmos of this recording, by John Croft, is also available on streaming services